Ready to Leave, 1997
Transparent and opaque watercolor, tea water, and graphite on marbled paper
Prolonged Exposure to Agitation, 2009
Ink on gouache on prepared paper
The Scroll, 1991-1992
Vegetable color, dry pigment, watercolor, tea on hand-prepared Wasli paper
Chaman, 2000
Mixed media
Hood’s Red Rider #2, 1997
Vegetable color, dry pigment, watercolor, tea on hand-prepared Wasli paper
The use of vivid and bright colors in Sikander’s pieces really makes her artwork pop and gives her a signature . In the context of the theme of memory, Sikander combines mixed elements to create abstractions of coherent images, which is how memories can often be described. Her pieces also create that dreamlike state that occurs when memories are invoked. The randomness Sikander’s works are analogous to the randomness of scenarios that can make up memories, but enough of the original story/memory (to the person whom it belongs) is preserved to make sense of it.
I love the color scheme in her work. It’s very abstract. To me, every piece resembles different aspects of a dream put into one painting. It looks like she has a huge imagination and vague creativity.